During WW2, a group of Jewish refugees (intellectuals, writers, artists and athletes - most from Germany and Austria) escaped to Britain and were interned as ‘enemy aliens’. In 1942, they were selected and trained to form a special unit of commandoes who would be sent back into Europe to play a significant role in the final battles against the Nazis.

Based on original archival research, interviews and a cache of newly discovered sources, this is a book brimming with camaraderie, heroism and high-octane storytelling, as it tells the dramatic story of the X-Troop men who helped to defeat the Nazis and liberate the concentration camps where their families had either been killed or imprisoned.

THE UNTOLD STORY OF BRITAIN'S MOST SECRETIVE SPECIAL FORCES UNIT June 1942. The shadow of the Third Reich falls across Europe. In desperation, Winston Churchill and his chief of staff form an unusual plan - a new commando unit made up of Jewish refugees. This top secret unit becomes known as X Troop. Others simply call them a suicide squad. From British internment camps, to the beaches of Normandy, the battlefields of Italy and Holland, and the hellscape of Terezin concentration camp, Leah Garrett follows this band of brothers who will stop at nothing to defeat the Nazis. 'A thrilling, stirring story' Daily Telegraph 'Gripping... Garrett's chief strength is her ability to relight the lamps of the past so that they glow anew' The Times

A Knight at the Opera examines the remarkable and unknown role that the medieval legend (and Wagner opera) Tannhauser played in Jewish cultural life in the nineteenth and early twentieth centuries. The book analyzes how three of the greatest Jewish thinkers of that era, Heinrich Heine, Theodor Herzl, and I. L. Peretz, used this central myth of Germany to strengthen Jewish culture and to attack anti-Semitism. Readers will see how Tannhauser evolves from a medieval knight to Peretz's pious Jewish scholar in the Land of Israel. The book also discusses how the founder of Zionism, Theodor Herzl, was so inspired by Wagner's opera that he wrote The Jewish State while attending performances of it. A Knight at the Opera uses Tannhauser as a way to examine the changing relationship between Jews and the broader world during the advent of the modern era, and to question if any art, even that of a prominent anti-Semite, should be considered taboo.

Young Lions: How Jewish Authors Reinvented the American War Novel shows how Jews, traditionally castigated as weak and cowardly, for the first time became the popular literary representatives of what it meant to be a soldier and what it meant to be an American. Revisiting best-selling works ranging from Norman Mailer's The Naked and the Dead to Joseph Heller's Catch-22, and uncovering a range of unknown archival material, Leah Garrett shows how Jewish writers used the theme of World War II to reshape the American public's ideas about war, the Holocaust, and the role of Jews in postwar life. In contrast to most previous war fiction these new "Jewish" war novels were often ironic, funny, and irreverent and sought to teach the reading public broader lessons about liberalism, masculinity, and pluralism.